Movie: (1958) A bizarre prehistoric fable about two
tropical tribes, one composed of ugly men and beautiful women, the other the
opposite. Once they finally come into
contact the women must overcome their tribe’s opposition to finding more
attractive mates. Also another tribe of
ape men attacks, sort of.
First released: (on
DVD) 9/11/2007
Opening: The Film Crew is frozen solid as the AC on
too high. Honcho calls from Paul Allen’s
Caribbean island and orders them to supply the commentary track for “The Wild
Women of Wongo.”
Lunch Break: Kevin’s
map of Wongo, showing where it is relative to Middle Earth, Atlantis,
Lidsville, and possibly Tatooine.
End: Bill has invented a device for matching you
with your ideal mate (in all of history) based on physical attractiveness. Very Gizmonic!
Extras: First,
the Crew is ordered to “Dance!”; Second,
the Crew says goodbye, Wongo-style. Or
at least tries their best.
Availability:
Hulu, Amazon, Amazon instant, and Netflix.
Reminds me of: Umm… maybe the Finnish trilogy, since they
are also colorful, fantastic and largely nonsensical. And maybe Catalina
Caper, as a light beach movie with many scantily-clad young people.
Stray observations:
This was a weird one, one of those locally-made, incredibly
idiosyncratic films that showed up back in the day. It was filmed entirely in at-the-time undeveloped Florida, where that coral castle still exists. There is a lot of potential commentary to be
made on the movie’s use of traditional female roles, judging people based on
attractiveness, and blind obedience to authority figures, whether hereditary
royalty or religious institutions.
Probably.
But mostly it is the world’s whitest tropical tribe (several
of them are redheads!). The
attractiveness is a little vague for the men— the Wongo women are attractive in
a very 1950’s way, while the Wongo men are “brutes”, but generally still in
good shape. Maybe they just didn’t
shave? The Goona
men, as the Crew say, look like a Gold’s Gym (or at least a 1950s men's fitness magazine). The Goona women, by contrast, are
a real motley crew, with a fat one, a tall one, and (I think) some moles
thrown in for good measure.
The blue hair on some of the Wongo men is also bizarre. I think it was a case of all the actors being about the same age, so they 'greyed' the actors playing older characters.
The priestess transmogrifying and then leading the dancing
is indeed a very strange scene, which lead to Extra #1. Why didn't they just have the dancer do the whole part if the first woman couldn't dance?
For me, this was the Film Crew’s roughest movie, but offset by some fun sketches. I was a little
surprised it made it to #3.
Cast and crew roundup:
Most of the cast and crew were one-trick-ponies, and this was the only film they
worked on. A few had decent careers, but
the most notable was probably one of the nameless Wongo women—Joyce Nizzari,
who later that same year became a Playboy Playmate, and went on to a modestly
successful acting and modeling career.
IMBD also states that in fact the director was a friend of famed
playwright Tennessee Williams, and that he was in fact directed most of the
film!
Callback: “I’ve never wanted to stuff dollar bills into a
movie before” was also used in Hollywood
After Dark.
Fave riff: “I’m sure
I saw a penis when she stood up.”
Honorable mention: “They should have baited the traps with Men’s Health magazines.”
Next week: Cinematic Titanic meets Roger Corman’s “Wasp
Woman”!
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